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DOI: 10.1177/009715580401500304 © 2004 SAGE Publications The Amateur Actors of Cannes 1999: A Shock to the (Star) SystemUniversity of Sheffieldg.austin{at}shef.ac.uk At the Cannes film festival in 1999 the perennial tension within French film between popular cinema and auteur cinema came to a head with the award of the Palme dOr to the Dardenne brothers Rosetta. Moreover, three amateurs were given Best Actor awards: Émilie Dequenne for Rosetta, plus Emmanuel Schotté and Séverine Caneele for LHumanité. This article analyses the performances of the amateur actors in the above films, and evaluates to what extent they offer a challenge to conventional modes of representation, and in particular to the idealised embodiments of masculinity and femininity traditionally presented by film stars. The notion of the amateur as Bressonian model will also be addressed, as will the possibility of amateur actors challenging the supremacy of the auteur and moving into the realm of popular stardom.
Key Words: auteur cinema Cannes festival jeune cinéma popular cinema star system stardom
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